This evening I posted on social media about MCR, which is not unusual, but I guess listening to MCR is becoming less and less everyday for me. This is partly because I have a couple of jobs that require a communal radio and/or relative silence and partly because there are other demands on my ears these days. Troye Sivan. Lorde. The sound of my conscience as it reminds me I haven’t worked on that giant writing project I want to finish drafting by spring. But My Chemical Romance is My Chemical Romance and the world is better with My Chemical Romance in it, so as I wrote this I had a little listening party at my desk. And as a My Chem listening party is a rock ‘n’ roll Wednesday night pursuit, I thought I’d make it into a helpful step-by-step guide so you too can mosh on a weekday!
Step 1: Compile MCR’s discography into Random.org
Step 2: Pick the first 5 songs that appear
- “Vampires Will Never Hurt You”
- “The End.”
- “Mama” (featuring Liza Minnelli)
- “It’s Not a Fashion Statement, It’s a Deathwish” (listed as “It’s Not a Fashion Statement, It’s a Fucking Deathwish” in the album liner notes)
Step 3: Youtube that shit, even though you have every song legally on a disc somewhere
Vampires Will Never Hurt You
Until I looked for the official Eyeball Records video and couldn’t find it, I hadn’t realised I’d never sat through the entire video for Vampires (although I think I have it on about 3 DVDs, so). Anyway it is here it is courtesy of some kindly soul:
I had never considered what Ray Toro might look like with no hair, and I am discomfited to realise he looks exactly like Ray Toro, except if Ray Toro was in a choir. Frank, man, I am so glad you got rid of those dreads. You remind me of the stoner kids I see in Southend. The Way brothers are, of course, changeless. Musically I have never had a clue what Vampires is about other than vampires – death? Rebirth? Betrayal? Time running out? – but I feel a short story coming on. Also I have a feeling the ‘like ghosts in the snow bit’ is gonna be way more fun if I do this exercise again after a couple of drinks.
Fortunately when I entered the discography into Random.org, I included the track numbers. The End in this case was Track 1, thus the first song on The Black Parade, not to be confused with To The End, track three on Three Cheers for Sweet Revenge. Easy mistake to make though, and I have made it approximately 8000 times in my 11 years as an MCR fan.
Fun fact: the first time I heard this was on an iPod shuffle (look it was 11 years ago) and when it ended abruptly I thought I’d hit a button and went back to play it again. I still love the bleep-bleep-bleep intro, and harbour a dream that if I’m ever unlucky enough to be on a heart monitor, I’ll just think it’s an MCR song and sit back happily while doctors panic over the rate of the bleeps. I also feel fond of the line ‘when I grow up I want to be nothing at all’ because in my old age that has become a comforting thought.
The song that inspired the name for The Webways. The song that infuriated that FOX News man. The pop song that’s kind of a punk song?
Other than the greatly improved haircuts, my favourite thing about this video is the number of Mindless Self Indulgence members who make an appearance. I’d forgotten how rich the storytelling is: the wall projections, the posters, the freedom-fighters-versus-the-powerful narrative. It’s kind of ironic that Danger Days was set in 2019 – nuclear war and brightly coloured kids protesting the government was kind of novel in 2010. Now it’s the news.
No one in the universe is currently making music as interesting as this song. That is all.
It’s Not a Fashion Statement, It’s a Fucking Deathwish
When I was 16 I did an intricate art project in which I worked MCR lyrics from every song into a giant ‘MCR’. With boarder. I did not photograph it well; the end result did not reflect the work I put in. The lyric I chose for Deathwish was ‘you get what everyone else gets/you get a lifetime’ as those lines are as close as I have come to finding a mantra to live by. How can I feel spiritually enlightened by a song that also makes me want to throw red paint at a church altar?
Ugh, to be 16 again and have the time for leisurely listens and fansites. I love the new music I listen to now, but 5 years ago I did not go near pop because pop was not substantial. MCR was substantial. These days I feel like pop might be one of the only substantial things around. I read an entire article the other day about how Hayley Kiyoko and Troye Sivan kinda-sorta made queer/pop history by releasing their videos on the same day. No one had previously normalised same sex attraction in such a way, apparently (I can hear George Michael’s ghost rolling his eyes though). MCR broke new ground every time they released an album, because every album took what was expected of them and rolled it on its head… I don’t really get those vibes from rock any more, but maybe that’s because I stopped reading Kerrang! when they started comparing MCR’s drummer situation to that of Spinal Tap’s. Or maybe I have responsibilities now and need soft lil pop sounds to ease me into my mid-twenties. Who knows. I might weave some MCR into that project I’m working on. I might spend my next wages on an overpriced MCR shirt. I might go to California in 2019.
Probably can’t afford the shirt and the plane ticket though, ha.